The attempt of the work is to emphasize on the humanistic aspect in between Nature and industrial civilization. I use raw iron plates and cut them in a way similar to the silhouette. The shapes are based on the simplified shapes of the trees. In the mass production of these shapes, I utilize the powerful cutting capability of the machine to cut out lines similar to writing and that are of different sizes and proportions, to further emphasize on the real-fictional relation between form and space. The installation of the work is according to the practical space and environment, to construct and represent the scene of natural landscape. At the same time, I use the rusted texture on the surface of the raw iron to enhance the floating state of time and to express the condition and context of contemporary culture and civilization.
